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And Quiet Flows the Don / TIKHIJ DON

Director: Sergei Gerasimov

A six-hour long epic (original director's cut) about the life of Don Cossacs in a village in southern Russia between 1912 and 1922. The leading character Grigori Melekhov is a rugged Cossac, who is torn between his first and true love Aksiniya, and his wife Natalya. Grigori Melekhov's personal life is shown as a rough journey through the experience of World War One, the Russian Revolution, and the following Civil War. The Cossacs are shown as traditional farmers and warriors, who are suffering through the most dramatic events in the history of Russia.

ANNA KARENINA

Director: Aleksandr Zarkhi

Anna Karenina is a young wife of an older husband. She has an affair with the handsome Count Vronsky. By following her desires Anna complicates her life.

ASOKA

Director: Santosh Sivan

In India, about 260 BC in the Empire of Magadha, the Prince Asoka (Shah Rukh Khan) survives to many betrayals of his brothers, leaded by the evil Susima (Ajit Kumar), who wants to kill him to inherit the throne. His mothers orders Asoka to leave Magadha, and while traveling, he meets Princess Kaurwaki (Karriena Kapoor) and her brother, Prince Aryan (Sooraj Balaji) from Kalinga, who are undercover and protected by General Bheema (Rahul Dev). Asoka and Kaurwaki falls in love for each other, but the mother of Asoka calls him back to Magadha. When he returns, he does not find Kaurwaki, who was attacked by traitors of Kalinga. When Asoka's mother is killed by a man of Susima, Asoka becomes mad, kills all his evil brothers but Sugatra, who escapes to Kalinga. Asoka decides to conquer Kalinga, but in the end, he concludes that he has not built an empire, but conquered only corpses and destroyed everything, and he decides to spread love and the Buddhism.

BASIL

Director: Radha Bharadwaj

Based on a little known Willkie Colins novel, Basil is the story of a man called Basil who falls in love with and marries Margarate Sherwin. What he doesn't know is that a friend of hers, John Mannion, has been having an affair with her to seek revenge on Basils brother Ralph who had an affair with his sister and died in an abortion atempt.

BURNING SHORE

Director: Jeannot Szwarc

France, 1915. Young and radiantly beautiful Centaine de Thiry is the happiest woman in the world: in a few more hours she will be married to pilot Michael Courteney, the love of her life. But fate has it otherwise: Michael is shot down in a reconnaissance plane shortly before his wedding. Life has lost its meaning for Centaine. When the young woman realizes soon afterwards that she is expecting a baby, her zest for live is revived. She decides to give birth to the child in South Africa, the home country of her deceased fiancé. She starts on her long voyage, planning to stay with an uncle. However, Centaine's boat is attacked and sunk by a submarine. She uses all her strength to cling to a gangplank. Many hours later, she is washed ashore on the African coast suffering from hypothermia and exhaustion. Soon after, Hani and Owi, an old native couple, find her. The old people look after Centaine lovingly and care for her until she has completely recovered...

COURAGE TO LOVE

Director: Kari Skogland

In 19th century New Orleans a new class of colored people has arisen. They are creoles, a result of relations between African-Americans and wealthy European people. Children are born, there is love, but marriage is out of the question. Colored people are still not considered equal. Henriette Delille is a very religious creole. The time she has she spends on educating, care and helping out in church. On the day her father Jean-Baptiste leaves her mother Pouponne to marry a white woman, Henriette is supposed to meet her arranged future 'caretaker' Paul Cartier. But she refuses him, defying every tradition and so bringing her mother to madness. She becomes friends with the French doctor Gerard Gaultier. He is in love with her and wants her to move to France, so they can be legally married. Henriette is torn apart by her feelings for Gerard and her devotion to the church. She must choose, but neither choice is going to be an easy one as there are people who greatly disapprove of Henriette's ideas of breaking traditions.

DAME AUX CAMELIAS

Director: Jean-Claude Brialy

Film na podstawie powieści Aleksandra Dumasa.
Piękna paryska kurtyzana Marguerite Gautier zwana "damą kameliową",
ze względu na upodobanie do tych kwiatów, ma wielu wielbicieli wśród paryskich arystokratów. Naprawdę kocha jednego - młodego Armanda Duvala. Pod wpływem próśb ojca ukochanego, a wbrew sobie, oświadcza Armandowi, że już go nie kocha.

DHAAI AKSHAR PREM KE

Director: Raj Kanwar

Yogvendra Grewal lives with his mom, Biji, in a joint family consisting of his daughter, Sahiba; his brothers Sharan, Pritam, and Ronak; Sharan's wife, Sweety; Pritam's wife, Monica; and their respective children. Sahiba is of marriageable age and the family, especially Biji, would like her to get married. But Sahiba is just not ready to get married and runs away from home. Lost and alone, she witnesses a murder being committed and flees straight into the arms of an army captain Karan Khanna, who escorts her back home. Everyone thinks that Karan is here to get married to Sahiba, and he is welcomed and treated as one of the family. Only Sahiba knows that Karan has a sweetheart in Nisha, who is waiting for his return to get married to him. The family are disappointed when they find out that Karan is meant for someone else, and quickly arrange for Sahiba's marriage with Vicky Singhal, the only son of Rai Bahadur Tejeshwar. Sahiba, who has given her heart to Karan, reluctantly agrees to this marriage, only to find out that the person she is marrying is none other than the person she had seen killing a woman. She tells this to her family, but nobody believes her and it looks like Sahiba's fate is sealed with that of a killer, who may well make her his next target.

DIETI ARBATA

Director: Andrei Eshpaj

Based on the trilogy of books by Anatoly Rybakov: "Deti Arbata", "Strakh", and "Prach I Pepel". The events circle the 1930's to 1940's. The film leads the viewer into the Kremlin offices, communal flats, university lecture halls and even into prison cells. The viewer also gets to feel what various aspects of life felt like, including Siberian village life, life in various Russian provinces and the tragic events of the breakout of World War II. The story's heroes are the simple lads and girls of the Moscow Arbat and the high-ranking powers: Stalin and his colleagues, workers, head's of scientific institutions and large contractors. The film lets you feel what life was like for these people, their lives and work and the enormous influence of war on the fate of the people.

DON JUAN

Director: Jacques Weber

Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost. Don Juan promised to marry Donna Elvira and then forsook her. He is such a womanizer - when being saved by a fisherman from ship wreck, he causes two beautiful girls from the fishing village, Mathurine and Charlotte, fighting with each other to win his heart (and yet he never takes them seriously). Alonso and Don Carlos, Donna's brothers, are pursuing him like textbook medieval heroes bent on avenging the insult to their family's honor.

DON'T MOVE / Non ti muovere

Director: Sergio Castellitto

While waiting for the brain surgery of his daughter Angela, victim of a motorcycle accident, the surgeon Timoteo (Sergio Castellitto) recalls his torrid affair with and passion for Italia (Penélope Cruz), a simple woman from slums in the periphery of the big city where he lives. The ghost of the beloved and sexual object of desire Italia chases him in his memories.

EMPRESS AND THE WARRIORS

Director: Siu-Tung Ching

The story is set in ancient China before its unification, during which countless kingdoms battle for supremacy. Yen Feier [Kelly Chen] is thrust onto the throne when her father is killed in battle. Feier and her loyal Muyong Xuehu [Donnie Yen] unite to defend the kingdom. But her ambitious cousin Wu Ba [Guo Xiao-dong] sends assassins to kill her. A mysterious man Duan Lan-Quan [Leon Lai] saves her. Feier falls in love with Duan who offers her another life. With the fate of their kingdom in the balance, Feier must choose between her duty and her dreams.

FALL

Director: Eric Schaeffer

Two people from completely different worlds meet by chance, thrown together as if by fate. Their attraction is immediately obvious and overwhelming. He is attracted to her beauty (she is a supermodel) and good humor; she is seduced by his charisma and honesty. With his gifts of poetry and tenderness, he opens her heart to the possibility of true love. But it takes a lot of courage to make a commitment. Is she truly in love with him? And even if she is, will she able to leave the cosmopolitan, superficial lifestyle to be with him?

FANNY HILL

Director: James Hawes

Orphaned by small pocks, young Lancashire country lady Fanny Hill cheerfully accepts her friend Esther Davies's offer to join the London 'working girls' with Mrs. Brown, a madam who recruits her as charmingly fresh enough to wait, in-living, on gentlemen. The first night, her room- and bed-mate Phoebe starts her sexual 'education', next she revels in being fitted her first-ever fancy frock. Her first 'client', Mr. Crofts, is neither naive nor attractive, rather a paying old rapist who isn't satisfied. Then the party scene, where men are younger and more charming. Handsome merchant's son Charles Standing declares love at first sight and offers to take Fanny away. After a few heavenly days of young love, they intend to demands Sir's blessing for their marriage, but as the ogre actually was her unsatisfied customer, Charles is made to choose between her and his future and leaves for colonial India. Being destitute, Fanny accepts becoming the kept woman of Mr. H., an earl's wealthy brother, in a fine London home with domestic staff, but since she won't give her heart he finally bangs her maid - Fanny seduces as 'revenge' her footman William planning to be caught, both are dismissed. Fanny finally goes to Mrs. Cole's hat-shop, only to find it's a front for an upper-class whorehouse, where fathers even bring their sons to shed virginity with a virgin girl, a part Fanny plays well even though it breaks young Percy's heart. When she arrogantly scorns Mr. H, he has the whorehouse closed down; Fanny can barely escape without a dime, but a single act of kindness wins her a sick old rich man's favor, graduating from guest over house maid to companion and sole heir when he dies a few months later. Just then Charles returns...

FORSYTE SAGA

Director: Dave Moore

In Victorian England, Soames Forsyte, a man from a wealthy and arrogant family, meets a falls in love with Irene Herron, a poor woman. After taking her step-mother's advice, Irene marries Soames. After four years of marriage, Irene is not happy because she does not love him. Soames tries to win her affections by giving her the things he believes every woman wants, dresses and jewels. He can not give her the one thing her heart desires, freedom. Out of desperation, he asks his cousin June's fiancé, Phil Bosinny, to build him a house in the country. Irene sees the house as a prison. During the construction of the house, Phil and Irene fall in love and have an affair. The affair causes a scandal in the family. Years later, Irene comes in contact with Soames's uncle Jolyon who leaves her money after he dies out of friendship. Jolyon's son, Young Jolyon, is her trustee. Soames falls for a young French girl, Annette, whom he wants to marry. He goes in search for Irene for a divorce but has no current evidence for the divorce. Instead, he decides to try to win her back so he can have an heir. She runs from him and finds friendship and protection in Young Jolyon. Soames decides on a divorce after he finds Irene and Young Jolyon together and Irene tells him she and Young Jolyon are in love. Irene and Jolyon marry and have a son, while Soames marries Annette and has a daughter. Is this family scandal over? Is Irene finally free from Soames?

HAZARD OF LOVE

Director: John Hough

When compulsive gambler Sir Giles Staverley has lost his estate and all his money playing dice, he realises that he only has one thing left of value: his daughter Serena. In a final game, he stakes his daughter's hand in marriage, convinced that this time he will not lose. Unfortunately, however, he does lose; to the evil Lord Wrotham. Unable to return home and tell his daughter that he has lost her in a game of dice, Sir Giles kills himself there and then. Lord Vulcan, who has witnessed the events, takes pity on Serena Staverley, although they have never met. He challenges Lord Wrotham to a game of dice in which the winner takes both Staverley Court and Miss Serena. Lord Vulcan wins and simply pleased that he has saved someone from the nasty Wrotham, he thinks no more about the event. One evening, however, Vulcan's friend Lord Peter Gillingham insists upon them going to Staverley Court to take a look at Vulcan's "prize." When arriving there, Vulcan finds Serena Staverley more beautiful than he ever imagined.

IN PURSUIT

Director: Peter Pistor

An attorney is accused of murdering a powerful man after having an affair with his sultry wife.

JANE AUSTEN: EMMA

Director: Diarmuid Lawrence

A faithful, enchanting adaptation of Austen's nineteenth-century tale of Emma Woodhouse, a clever young woman whose mischievous matchmaking schemes nearly cost her her own shot at romance. From the producers of A&E's acclaimed PRIDE & PREJUDICE.

JANE AUSTEN: MANSFIELD PARK

Director: Iain B. MacDonald

At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but by the time she reaches 18, and in the absence of her uncle who leaves on a business trip for an extended period, she begins to enjoy herself. When Henry Crawford and his sister Mary become neighbors to the Bertrams, opportunities abound. Edmond Bertram falls in love with Mary but she wants to marry a man with money, not someone destined to life as a clergyman. Meanwhile, Fanny's love for her cousin Edmond prevents her from accepting Mr. Crawford's proposal of marriage.

JANE AUSTEN: MANSFIELD PARK

Director: David Giles

Jane Austen's novel, filmed entirely on location, accurately captures the atmosphere of eighteenth century rural England. It is here that Fanny Price is raised and comes to grips with adverse... Jane Austen's novel, filmed entirely on location, accurately captures the atmosphere of eighteenth century rural England. It is here that Fanny Price is raised and comes to grips with adverse circumstances

JANE AUSTEN: NORTHANGER ABBEY

Director: Jon Jones

When Catherine Morland is given the opportunity to stay with the childless Allen family in Bath, she is hoping for an adventure of the type she has been reading in novels. Soon introduced to society, she meets Isabella Thorpe and her brother John, a good friend of her own brother, James. She also meets Henry Tilney, a handsome young man from a good family and his sister, Eleanor. Invited to visit the Tilney estate, Northanger Abbey, she has thoughts of romance but soon learns that status, class and money are all equally important when it comes to matters of the heart.

JANE AUSTEN: NORTHANGER ABBEY

Director: Giles Foster

Catherine Morland is a young women who enjoys reading Gothic Novels. She is invited to Bath by a family friend, Mrs. Allen, and there she meets Henry Tilney and his sister Eleanor. Upon returning to her home with her family Eleanor invites Catherine to come along as her guest and companion. There Catherine's imagination continues to flourish and she beings to suspect a dark secret at Northanger Abbey.

JANE AUSTEN: PERSUASION

Director: Adrian Shergold

Though she refuses Captain Wentworth (Rupert Penry-Jones) in her youth, Anne Elliot's (Sally Hawkins, LITTLE BRITAIN) love for her handsome but penniless suitor never dies. When he returns eight years later--a wealthy and high-ranking naval officer--she has the chance to set things right. While the two leads ably carry the film, the highlight is Anthony Head's (BUFFY THE VAMPIRE SLAYER) hilarious turn as Anne's snobby father. This Masterpiece Theatre production offers a splendid rendition of Jane Austen's final novel.

JANE AUSTEN: PERSUASION

Director: Roger Michell

Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though promising, had poor family connections. When her father rents out the family estate to Admiral Croft, Anne is thrown into company with Frederick, because his sister is Mrs. Croft. Frederick is now a rich and successful Captain, and a highly eligible bachelor. Whom will he marry? One of Anne's sister's husband's sisters? Or will he and Anne rekindle the old flame?

JANE AUSTEN: PRIDE AND PREJUDICE

Director: Simon Langton

The bicentennial production of Jane Austen's novel is given the most lavish treatment yet, by UPSTAIRS DOWNSTAIRS director Simon Langton in this television mini-series. PRIDE AND PREJUDICE stars Jennifer Ehle (POSSESSION) as Elizabeth Bennet, a witty and headstrong young woman in 19th century England. When she meets the standoffish Mr. Darcy (Colin Firth), they initially clash, but there may be something deeper behind their animosity. Firth (BRIDGET JONES' DIARY) sets the standard for period film heroes with his portrayal of Mr. Darcy, a character sure to make both minds and hearts race. The classic novel of manners, society, and love includes much of Austen's rich commentary on human nature, and features extensive, gorgeous location shooting in and around historic English country homes.

JANE AUSTEN: SENSE AND SENSIBILITY

Director: Rodney Bennett

TV adaptation of Jane Austen's Regency novel -- a novel that perceptively examines the social manners and laws that governed 19th-Century Britain. Set in a rural English village, "Sense and... TV adaptation of Jane Austen's Regency novel -- a novel that perceptively examines the social manners and laws that governed 19th-Century Britain. Set in a rural English village, "Sense and Sensibility" concentrates on the loves and heartaches of sisters Elinor and Marianne Dashwood. The two have extremely divergent approaches to life: Elinor believes in behaving with propriety and thoughtfulness, while Marianne fully gives herself over to her emotions. But both women experience the same sense of confusion when their lovers, seemingly on the verge of proposing marriage, suddenly get called away to London -- followed by the swift departure of another of Marianne's suitors. So when the Dashwood family receives an invitation to the capital, they gladly accept. Now the sisters can discover what happened to their men. What they learn causes complications, calamities, and surprises... and teaches Elinor and Marianne some hard lessons they'll never forget.

JANE EYRE

Director: Robert M. Young

A small-screen adaptation of Jane Eyre's Victorian classic about an orphaned governess who falls in love with her employer, the withdrawn and secretive master of Thornfield Hall. Produced for A&E... A small-screen adaptation of Jane Eyre's Victorian classic about an orphaned governess who falls in love with her employer, the withdrawn and secretive master of Thornfield Hall. Produced for A&E television.

JHOOM BARABAR JHOOM

Director: Shaad Ali

Of Pakistani origin, Alvira Khan lives a care-free lifestyle in Britain. One day while waiting for a train at Waterloo Station, she shares her table with an East Indian male, Rakesh Thakral. Both have a light discussion with Alvira confiding that she is in love with another East Indian male, Satvinder Singh, a lawyer by profession who rescued her and then represented her successfully against Madame Tussauds, both fell in love and are soon to be married. Rakesh confides that he is in love with Anaida Raza, a Muslim of Indian origin. They subsequently go on their respective ways but are fated to meet again, and this time Alvira introduces Rakesh to Satvinder, and she, in turn, is introduced to Anaida. Complications arise when Satvinder falls in love with Anaida, who is not who she claims to be, and circumstances will reveal that Rakesh and Alvira have been less than forthright with each other.

LADY CHATTERLEY LOVER

Director: Ken Russell

Film ukazuje życie i miłość trojga ludzi. Constance Chatterley właśnie zamieszkała z mężem w Wragby Hall, opustoszałym, szarym i zimnym miejscu. Opiekuje się mężem, który wrócił z wojny sparaliżowany. Kiedy mąż rzuca się w wir pracy w rodzinnej kopalni węgla, Lady Chatterley znajduje sobie kochanka.

LOST IN AUSTEN

Director: Dan Zeff

Amanda, an ardent Jane Austen fan, lives in present day London with her boyfriend Michael, until she finds she's swapped places with Austen's fictional creation Elizabeth Bennett.

MADAME BOVARY

Director: Tim Fywell

Emma longs to see what life has to offer beyond her family farm. She marries the local doctor Charles Bovary, but eventually fells unsatisfied by the conventions of marriage. She embarks on a series of affairs, ultimately leading to her downfall. Based on the novel by Gustave Flaubert, and made for Masterpiece Theatre. This tape includes extra material not broadcast on television.

MARKIZA DE POMPADOUR

Director: Robin Davis

Jeanne Poisson, the headstrong, ambitious foxy daughter of fishmonger and married to a physician, but witty and erudite, catches the eye and heart of French Sun King Louis XIV at a costumed ball. She masters the art of seduction well enough to become accepted even by the Queen, corpulent mother of ten. As a sensibly chosen Royal 'favorite' mistress she is soon ennobled Marquise of Pompadour to facilitate her introduction at court. The immature dauphin (crown prince) proves a bitter and unrelenting enemy, joined by his imposed Saxon bride, and his sister at her deathbed. Although friends at court help Pompadour return, her health gives way.

MEMSAHIB

Director: Kruti Majmudar

India 1851: Strong-willed schoolteacher Grace Roberts begins married life with philanthropist king Raja Jai Rathod. Fiercely devoted to their work and to each other, they embark on a journey to... India 1851: Strong-willed schoolteacher Grace Roberts begins married life with philanthropist king Raja Jai Rathod. Fiercely devoted to their work and to each other, they embark on a journey to unite their people and ideals. She teaches local girls at the town well while Jai is suspected of being overly sympathetic to the growing British presence in India, the very presence Grace mistrusts. But no amount of love can prevent culture, politics and destiny from tragically separating The Memsahib and her husband.... Until Asha Randall, a jaded divorcee, happens upon that same palace in 2005. Here, in its ghostly walls, lie the keys to the mysteries of the past and shocking lessons for Asha about the resiliency of love, destiny and her very own future.

MOHABBATEIN

Director: Aditya Chopra

Aditya Chopra's Indian blockbuster has set records in both India and the United Kingdom, and is a heartwarming love story that will entertain and charm everyone. From the three love stories that blossom on screen to the tyrannical personality of the man who cannot live without control over all, this film is unlike any other.

Moscow Does Not Believe in Tears / MOSKVA SLEZAM NE VERIT

Director: Vladimir Menshov

This is a life story of three girlfriends from youth to autumn ages. Their dreams and wishes, love, disillusions. Different careers. And big late love.

MOTHER

Director: Roger Michell

May is an ordinary grandmother from the North of England. When her husband dies on a family visit to London, she recedes into the background of her busy, metropolitan children's lives. Stuck in an unfamiliar city, far from home, May fears that she has become another invisible old lady whose life is more or less over. Until, that is, she embarks on a passionate affair with Darren, a man half her age who is renovating her son's house and sleeping with her daughter.

NORA ROBERTS - TRIBUTE

Director: Martha Coolidge

A former child star buys her grandmother's house to rescue it from ruin but her hope for serenity is soon eclipsed by haunting dreams of her famous grandmother, who died of a supposed overdose in the house more than 30 years ago.

NORA ROBERTS – HIGH NOON

Director: Peter Markle

Phoebe MacNamara, jedna z najlepszych negocjatorek policyjnych w sprawach zakładników spotyka Duncana Swifta. Z początku ta samotna matka, sarająca się sprostać zadaniom rodzicielskim i zawodowym, niechętnie angażuje się w nowy związek. Z czasem jednak poddaje się miłości. I wtedy musi przeciwstawić się psychopatycznemu mordercy, który zaczyna zagrażać jej nowemu szczęściu, rodzinie.

NORA ROBERTS – MIDNIGHT BAYOU

Director: Ralph Hemecke

Declan Fitzgerald kupuje dom Manet Hall w Nowym Orleanie, pomimo krążących plotek o nawiedzaniu go przez duchy. Declan zaczynają nawiedzać przerażające zdarzenia, mroczne sekrety ukryte w ścianach domu przed wiekami. Tajemnicze morderstwa, terror i żal. Musi odkryć prawdę o morderstwie aby ratować siebie i Lenę Simone, w której się zakochał.

NORA ROBERTS – NORTHERN LIGHTS

Director: Mike Robe

Meg Galloway, pilot małej awionetki gwarantującej transport pomiędzy miasteczkami na Alasce, dowiaduje się, że ojciec, który ją porzucił w dzieciństwie, tak naprawdę został zamordowany. Meg szuka pomocy w odkryciu prawdy i mordercy u nowego szefa policji, który właśnie przybył z Balltimore, Nata Burke’a. Nat walczy z własnymi demonami ale miłość do Meg pozwala mu znaleźć siłę aby spróbować pokonać je i mordercę, który jest ciągle wśród nich!

ONE LAST DANCE

Director: Lisa Niemi

When a New York dance company's brilliant artistic director dies, three former stars of the company are brought back in hopes of saving the company by resurrecting a dance piece that was created for them years ago, but never performed - the very dance that ended all their careers in a heartbreaking way. Given one last chance to discover a dream they lost, the three dancers battle against time and damaged relationships, finding they must first face themselves before they can face the dance.

ONE LOVE

Director: Rick Elgood, Don Letts

Kassa a free-wheelin rasta man, falls for a straight laced gospel singer Serena, when they both meet as they enter a music contest. Serena's father the pastor forbids her to see him and wants her to marry one of his church members. Meanwhile the record boss organizing the contest, tries to get Kassa's band to sign to his label on his terms not theirs. By using heavy tactics, he pushes the band to fight back.

OUTSOURCED

Director: John Jeffcoat

Outsourced is a modern day comedy of cross-cultural conflict and romance. Todd Anderson (Josh Hamilton) spends his days managing a customer call center for American novelty products in Seattle,... Outsourced is a modern day comedy of cross-cultural conflict and romance. Todd Anderson (Josh Hamilton) spends his days managing a customer call center for American novelty products in Seattle, until his job, along with those of the entire office, are outsourced to India. Adding insult to injury, Todd must travel to India to train his new replacement.

As he lands in India, Todd is assaulted by the sights and sounds of a completely different culture. Navigating through the chaos of Bombay, Todd must train the most unlike team in the ways of America and American novelty products. Between accent and culture training to education on the cheesehead hat and hot dog toaster, Todd frantically tries to increase the effectiveness of the Indian office, so that he can return home to Seattle.

However, it is through his team of quirky yet likable Indian call center workers, including his friendly and motivated replacement, Puro, and the charming, opinionated Asha (Ayesha Dharker), that Todd realizes that he too has a lot to learn � not only about India and America, but about himself. Todd soon discovers that being outsourced may be the best thing that ever happened to him. The film is based on an original screenplay by George Wing (50 First Dates) and writing partner, John Jeffcoat, who also directs. Josh Hamilton heads the cast with Ayesha Dharker and Larry Pine. Principle photography took place in Mumbai (Bombay) from February 5 to March 13, 2006, followed by three days in Seattle from April 7-9.

ShadowCatcher Entertainment presents a ShadowCatcher Entertainment/Tom Gorai Production of a film by John Jeffcoat. Josh Hamilton, Ayesha Dharkar. Featuring Larry Pine, Asif Basra, Matt Smith. Outsourced. Casting by Ellen Chenoweth and Kathleen Chopin. Director of Photography Teodoro Maniaci. Music composed by BC Smith. Editor Brian Berdan, A.C.E., Co-producer Gwen Bialic. Co-executive producer Menno Van Wyk. Executive producers David Skinner and George Wing. Produced by Tom Gorai. Written by George Wing and John Jeffcoat. Directed by John Jeffcoat. --© Shadowcatcher Entertainment

POMPEII

Director: Giulio Base

Kiedy Marcus wraca z wojny, dowiaduje się, że jego ukochana Valeria została wzięta w niewolę przez miejscowego władcę Pompejów. Chelidone, który po śmierci rodziców Valerii napadł na dom jej i jej brata, zabrał cały majątek, a ich samych uczynił swoimi niewolnikami. Podczas próby uwolnienia ukochanej, Marcus trafia w środek spisku, którego celem jest zamordowanie Rzymskiego Imperatora Tytusa, przybywającego wkrótce do Pompei. Okazuje się, że przywódcą i organizatorem zamachu jest właśnie Childone. Jest on na tyle zdeterminowany, że zabije każdego, kto stanie mu na drodze. Jednak tego dnia – 24 sierpnia 79 roku n.e. wybucha Wezuwiusz i pokrywa lawą i popiołem wulkanicznym całe miasto i wszystkich jego mieszkańców. Tylko Valerii i Markusowi udaje się przeżyć. Dostają drugą szansę na miłość i na odbudowanie tego pięknego miasta.

Railway Station for Two

Director: Eldar Riazanow

A train station forms the setting for this chaotic tale of romance and coincidence. On his way to visit his father in the faraway town of Griboedov, pianist Platon decides to take a break for... A train station forms the setting for this chaotic tale of romance and coincidence. On his way to visit his father in the faraway town of Griboedov, pianist Platon decides to take a break for lunch. But when the food at a Zastupinsk railway station café fails to satisfy him, he refuses to pay, leaving a waitress named Vera in the lurch. Little does Platon know, his actions will come back to haunt him, getting him detained at the station and later accused of a crime he didn't even commit. Platon could also never predict that the waitress he stuck the check with would come back into his life in a series of humorous, unfortunate, and ultimately romantic ways.

SHADOW OF THE SWORD

Director: Simon Aeby

Some fearsome swordplay abounds in this 16th-century epic about a bloodthirsty attempt at halting reformation. British actor Steven Berkoff (BEVERLY HILLS COP) and Nikolaj Coster-Waldau (BLACK HAWK... Some fearsome swordplay abounds in this 16th-century epic about a bloodthirsty attempt at halting reformation. British actor Steven Berkoff (BEVERLY HILLS COP) and Nikolaj Coster-Waldau (BLACK HAWK DOWN).

SISSI, L`IMPERATRICE REBELLE

Director: Jean-Daniel Verhaeghe

Jest rok 1898. Do Genewy przybywa piękna kobieta, ubrana na czarno. Przedstawia się jako madame Hohenembs, ale tak naprawdę jest to Sissi, Cesarzowa Austrii i Węgier. Przez siedem dni spotyka się ze swoim przyjacielem dr. Meyerem, opowiadając mu o swoich problemach z ostatnich lat życia, o sztucznie zaaranżowanym małżeństwie, o samobójstwie jej syna, z którego nigdy się nie otrząsnęła. Przez cały ten czas nieświadoma jest tego, co wkrótce przyniesie jej przeznaczenie…

SMILES OF A SUMMER NIGHT

Director: Ingmar Bergman

This romantic comedy, written and directed by Swedish filmmaker Ingmar Bergman, was inspired in part by Shakespeare's A MIDSUMMER NIGHT'S DREAM and later became the basis for both the musical A LITTLE NIGHT MUSIC and Woody Allen's A MIDSUMMER NIGHT'S SEX COMEDY. The principal events take place at a turn-of-the-century manor house where Desirée Armfeldt (Eva Dahlbeck), an actress, and her aging mother are giving a party. Two of the invited guests--Count Malcolm (Jarl Kulle) and Fredrik Egerman (Gunnar Björnstrand), a middle-aged lawyer--are romantically involved with Desirée, a cause for murderous jealousy between the two. Meanwhile, Egerman's youthful wife, Anne (Ulla Jacobsson), who has thus far repulsed all sexual advances on her husband's part, is showing a considerable interest in her stepson (Björn Bjelvenstam)...During the course of the evening, various alliances are formed and dissolved, partners are switched, and all the guests take part in the resulting erotic escapades and intrigue--but in the end, everyone finds their true love. This is lighter, airier fare from a director often associated with existential angst and despair; nevertheless, Bergman's spicy, sophisticated movie received rave reviews and earned him widespread critical acclaim.

SUMMER INTERLUDE

Director: Ingmar Bergman

A sensitive, lyrical offering from Ingmar Bergman, SUMMER INTERLUDE deals with the innocence of first love and the transition from youth to adulthood, two of the director-screenwriter's favorite... A sensitive, lyrical offering from Ingmar Bergman, SUMMER INTERLUDE deals with the innocence of first love and the transition from youth to adulthood, two of the director-screenwriter's favorite themes, and ones that he would revisit in later works. When Marie (Maj-Britt Nilsson), a prima ballerina, receives an old lover's diary after his death in a tragic accident, she begins to reminisce about the happy summer she spent with Henrik (Birger Malmsten), her first love, on an island near Stockholm. A flashback shows the young couple in a playful, carefree light, full of energy and grace. Since parting from Henrik, Maria has emerged as a sucessful dancer with many admirers and a new suitor, the journalist David Nystrom (Alf Kjellin). But she is dissatisfied with her present life and unable to forget the ardent love she experienced that one fateful summer long ago. Serious and bittersweet, this is a simple story told by a master filmmaker. The ballet company of the Stockholm Royal Opera can be seen performing excerpts from SWAN LAKE.

The Forty-first / SOROK PIERWYJ

Director: Grigorij Czuchraj

An unexpected romance occurs for a female Red Army sniper and a White Army officer.

THE LADY AND THE HIGHWAYMAN

Director: John Hugh

The young lady Panthea Vyne falls in love with the handsome highwayman who saves her from her brutal husband. He kills him in a fair duel. Later, when Charles the 2nd is reinstated as King of England, she attends the royal court. But here she becomes the enemy of the king's former mistress and the plot against her thickens.

TIKHIJ DON

Director: Sergei Gerasimov

A six-hour long epic (original director's cut) about the life of Don Cossacs in a village in southern Russia between 1912 and 1922. The leading character Grigori Melekhov is a rugged Cossac, who is torn between his first and true love Aksiniya, and his wife Natalya. Grigori Melekhov's personal life is shown as a rough journey through the experience of World War One, the Russian Revolution, and the following Civil War. The Cossacs are shown as traditional farmers and warriors, who are suffering through the most dramatic events in the history of Russia.

VOJNA I MIR

Director: Siergiej Bondarczuk

War and Peace (1968) is an eight-hour epic film based on the eponymous book by Leo Tolstoy. Two main story-lines are complex and intertwined. One is the love story of young Countess Natasha Rostova and Count Pierre Bezukhov, who is unhappy in his marriage. Another is the "Great Patriotic War" of 1812 against the invading Napoleon's Armies. The people of Russia from all classes of society stand up united against the enemy. The 500,000 strong Napoleon's army moves through Russia and causes much destruction culminating in the battle of Borodino. The Russian army has to retreat. Moscow is occupied, looted and burned down, but soon Napoleon loses control and has to flee. Both sides suffer tremendous losses in the war, and Russian society is left irrevocably changed.

VOLGA - VOLGA

Director: Grigorij Aleksandrow

Grigori Alexandrov's classic musical comedy set aboard a steamboat heading up the Volga River with an atypical band of amateur performers on their way to Moscow to compete in a talent contest.... Grigori Alexandrov's classic musical comedy set aboard a steamboat heading up the Volga River with an atypical band of amateur performers on their way to Moscow to compete in a talent contest. Russian comedy icon Lyubov Orlova, along with veteran Igor Ilinsky, lead the pack, resulting in a plethora of comedic situations. VOLGA VOLGA was a massive success in the Soviet Union and opened the floodgates to Orlova's mega-star status.

WEDDING

Director: Charles Burnett

Shelby, piękna 25-letnia czarna kobieta jest zaręczona i ma wyjść za mąż za wspaniałego białego jazzmana. Ale im bliżej do dnia ślubu zaczyna mieć obawy, które związane są z jej pochodzeniem i dziedzictwem.

WUTHERING HEIGHTS

Director: David Skynner

Masterpiece Theatre presents this adaptation of Emily Brontë's Gothic novel starring Orla Brady as Cathy, the story's tragic heroine. In the prototypical amour fou, Cathy engages in a passionate... Masterpiece Theatre presents this adaptation of Emily Brontë's Gothic novel starring Orla Brady as Cathy, the story's tragic heroine. In the prototypical amour fou, Cathy engages in a passionate love affair with Heathcliff, a dark stranger taken in by her family. However, their relationship is thwarted by their class differences, the disapproval of Cathy's parents, and her eventual marriage to Edgar Linton. Faithfully rendering Brontë's enormously moving tale of obsession, passion, fate, and revenge, this production of WUTHERING HEIGHTS is sure to please not only devotees of the novel but neophytes as well.

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