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AAJA NACHLE

Director: Anil Mehta

Vibrantly entertaining, the Bollywood musical AAJA NACHLE brings the beloved award-winning Hindi actress Madhuri Dixit (DEVDAS) back to the big screen after a prolonged hiatus. Dixit portrays dance instructor Dia, who lives in New York City. She fled there as a young woman to marry an American-- a decision that forced her parents to leave their traditional Indian town in shame. Now, still estranged from her family and raising an adolescent daughter on her own, Dia is called back to her home town when she finds out an old mentor is near death. Upon her return she is devastated by the dilapidated state of the outdoor theater where she and many of her peers proudly performed, showcasing the art and culture of their heritage. Compelled to set things right and preserve the exhilarating haven of her youth, she must face the townspeople she abandoned and mend the hearts she broke before she can convince them to join her in salvaging the once-cherished theater. AAJA NACHLE, translated in English as "come dance with me," beckons with impressive musical numbers, provocative and shimmering costumes and mesmerizing choreography. And it has a bit of fun with the cheeky musical-within-a-musical, featuring the timeless romantic tale of Laila and Majnu, which Dia uses to energize the long-dormant locals to love and embrace the arts, and to remind them to reflect on their inner beauty and passion.

AARZOO

Director: Lawrence D'Souza

Dayashankar has planned the marriage of his daughter, Pooja, with Amar, however, Pooja falls in love with pilot, Vijay Khanna, and after convincing Amar, Dayashankar, and her mother, all agree to the marriage of Pooja and Vijay. Before the marriage Vijay has an accident while flying and is presumed dead and Pooja is married to Amar. And then Vijay returns to find out that the accident was actually planned so that Pooja could marry Amar.

AB TUMHARE HAWALE WATAN SAATHIYO

Director: Anil Sharma

In 1971 during the Indo-Pak war and the formation of Bangladesh, Lt. Commander Vikramjeet Singh has a ship in his command and a regiment of soldiers of the Indian Army, commandeered by his dad, Major General Amarjeet Singh. The ship comes under attack by a submarine of the Pakistani Navy, undergoes damage, and sinks along with Vikramjeet, but not before he courageously rescues about a hundred of trapped army soldiers. Years later, Vikramjeet's son Kunaljeet joins the army as a Captain, but he lacks the values his dad and grandfather had in them about serving the country selflessly. He just wants to be employed with the army for a couple of years, then re-locate to the U.S., run a business, and make lots of money. In order to accomplish this he always makes up excuses of not going to the front. He falls in love with Shweta Bhansali, and decides to stay in the army in order to be close to her. In order to achieve a medal, he fakes heroism; then carelessly jeopardizes a planned attack on terrorists and as a result several terrorist escape to their hideouts. Disciplined and chastised, an injured and humbled Kunaljeet awaits to meet his sweetheart - only to find out that she is in love and married to his senior Officer Major Rajeev Singh. The only thread binding him to the army is broken, and it is then Kunaljeet finds out that the terrorists in collusion with rebel Pakistani officers are planning to bomb the Bhagwan Shivji's Amarnath Temple in Jammu & Sikkim in order to wipe out the Hindu religion and culture once and for all. Will Kunaljeet act accordingly to save some lives, or will his rashness result in more casualties?

AHISTA AHISTA

Director: Shivam Nair

For a fee of Rs.200/- Ankush Ramdev provides four witnesses to couples who come to register their marriages at the Registrar of Marriages in Dariyaganj, Delhi. One day he comes across a single woman from Nainital and offers his services, but the girl tells him that she is waiting for her to-be groom, Dheeraj Ansaria. At the end of the day, when he does not show up, Ankush feels sorry for her, Megha Joshi, and offers to assist her until he gets back. They spend the night at a Dargah, and then go to wait for Dheeraj, who does not show. A penniless and tearful Megha now asks Ankush to help, he helps her again, and falls in love with her, so much so that he considers learning English and re-locating to Bombay. Then he comes across a young man, who later identifies himself as Dheeraj, who is desperately looking for his bride-to-be. Watch what Ankush does or does not do to assist Dheeraj.

AITRAAZ

Director: Abbas - Mustan

Successful businessman Raj Malhotra (Akshay Kumar) has everything going for him, including a lovely wife (Kareena Kapoor). Just when he thinks things can't get any better, Sonia (Priyanka Chopra) - his ex-girlfriend, now the boss's wife - walks back into his life - and she wants Raj. After he rejects her sexual advances, she accuses him of rape. But he soon turns the tables on Sonia and sues her for sexual harassment along with the help of his wife Priya.

ALBELA

Director: Deepak Sareen

Tony (Govinda) works as a guide, helping tourists, and showing them his native land. Nina (Namrata Shirodkar) finds Tony adorable, but Tony is in his own world, and does not reciprocate her attentions. When Sonia (Aishwarya Rai) for a tour of the surroundings, and is immediately taken-up with Tony and his easy manner. Tony mistakes this for love, and is smitten by her beauty. But Sonia already has a sweetheart, and so what will convince him that Sonia does not have similar feelings for him?

ARMY

Director: Raam Shetty

Arjun and Geeta are a young couple, who are deeply in love with each other. They get married, and soon are proud parents. Arjun gets in the bad books of a notorious gangster named Nagraj, and is brutally killed. When Geeta finds out she decides to avenge Arjun's death. When Nagraj finds out that Geeta is out for vengeance, he scoffs at her, refusing to believe that a lone defenseless widow can do him any harm. But Nagraj is in for a surprise when he comes face to face with Geeta and a group of young men who are dedicated to bring him down - even if they die trying.

ASOKA

Director: Santosh Sivan

In India, about 260 BC in the Empire of Magadha, the Prince Asoka (Shah Rukh Khan) survives to many betrayals of his brothers, leaded by the evil Susima (Ajit Kumar), who wants to kill him to inherit the throne. His mothers orders Asoka to leave Magadha, and while traveling, he meets Princess Kaurwaki (Karriena Kapoor) and her brother, Prince Aryan (Sooraj Balaji) from Kalinga, who are undercover and protected by General Bheema (Rahul Dev). Asoka and Kaurwaki falls in love for each other, but the mother of Asoka calls him back to Magadha. When he returns, he does not find Kaurwaki, who was attacked by traitors of Kalinga. When Asoka's mother is killed by a man of Susima, Asoka becomes mad, kills all his evil brothers but Sugatra, who escapes to Kalinga. Asoka decides to conquer Kalinga, but in the end, he concludes that he has not built an empire, but conquered only corpses and destroyed everything, and he decides to spread love and the Buddhism.

BAABUL

Director: Ravi Chopra

While golfing, Malvika Talwar meets with handsome, U.S.-returned Avinash, both fall in love with each other, and shortly thereafter get married. The following year, Malvika gives birth to a boy, and they decide to name him Ansh. Then chaos and devastation enters Malvika's life when Avinash gets killed in an automobile accident. Malvika resigns herself to a life of a widow, her sole motive for living appears to be to look after Ansh. She is shocked when her in-laws, Balraj, and Shobhana, ask her to re-marry. Will Malvika be able to remove Avinash from her heart and mind and marry someone else?

BAADSHAH

Director: Mastan Alibhai Burmawalla, Abbas Alibhai Burmawalla

K. Jhunjhunwala would like to locate his missing/runaway daughter, Seema Malhotra, so that he can get her married to Nitin Dharampal; Prominent businessman, Mahindra, would like to negotiate with his daughter, Sonu's kidnappers, and secure her release. And the Central Bureau of Investigation would like to protect the life of Chief Minister Gayetri Bachchan under the mission code-named "Maa", and the CBI Officer in Charge to be code-named "Baadshah". Now Baadshah happens to be a bumbling and out of work Private Investigator, who has agreed to assist Jhunjhunwala and Mahindra, and while doing so is mistaken for the CBI Agent, ends up working for the assassins, and must assassinate Gayetri or end up losing his team of four fellow-bumblers, and Mahindra's daughter. What results is hilarious chaos, with no one knowing what the other is doing, and each one being each other's suspect(s). To make matters worse Jhunjhunwala is not really Seema's dad, but someone else with an ulterior motive.

BAAZIGAR

Director: Abbas Alibhai Burmawalla

This action-packed thriller, which helped turn Shahrukh Khan into one of Bollywood's biggest stars, is based on the little-seen 1991 American film A KISS BEFORE DYING (itself a remake of a 1956... This action-packed thriller, which helped turn Shahrukh Khan into one of Bollywood's biggest stars, is based on the little-seen 1991 American film A KISS BEFORE DYING (itself a remake of a 1956 noir of the same name). This unusually dark, violent, and gory revenge film features Khan in a dual role--playing both a hero and a villain--as well a sparkling performance from Kajol, and some effective and much-needed comic relief from Johnny Lever.

BACHNA AE HASEENO

Director: Siddharth Anand

During 1996 Raj Sharma, while in Switzerland, meets with Amritsar-based Mahi Pasricha, successfully woos, then dumps her. Then during 2002, he meets with aspiring model, Radhika, who is also attracted to him, and both move-in to live together in a small apartment in Mumbai. When he gets the opportunity to settle in Sydney, Australia, he dumps her and re-locates there. Now it is 2006, and Raj has met a brilliant taxi-driver, Gayatri, who he falls in love with. The question remains, will his attraction again be temporary? And what will be the consequences if Gayatri finds out about his past?

BANARAS

Director: Pankuj Parashar

Shwetambri Nath lives a wealthy lifestyle in the holy city of Banaras in India with her mom, Gayetri, and dad, Mahendra. She is now of marriageable age and has a young man, Satpal Shukla, who is also the Police Inspector in the area, who would like to marry her. But Shwetambri is attracted to an orphan, Soham, of a lower caste who lives with a woman called Dadi who is a sweeper by profession. Nevertheless, Shwetambri continues to meet with Soham on the pretext of learning music, and introduces him to her parents, who instantly disapprove of him. When Shwetambri refuses to marry anyone else, her parents relent and get her formally engaged to Soham, especially after learning that he may not be of a lower caste but of an unknown caste and has no blood relationship with Dadi. Shortly before the marriage takes place, Shwetambri's life is turned upside down when Satpal informs her that Soham has been killed. In her grief, she loses her mind and becomes a loner. Her dad asks a childhood friend, a Psychiatrist from Boston, USA, Dr. Gopal Bhattacharya, to treat her. The doctor finds out that Shwetambri is possibly hallucinating as she talks as if Soham were still alive, and also of meeting and speaking with a holy man named Babaji, who has been deceased for hundreds of years. Quite unknown to the doctor, Shwetambri already knows who is responsible for Soham's death, and it is with this knowledge that she leaves Banaras and goes to Bombay, and gains a solid reputation as a spiritual healer. Years later the past comes to re-visit her when she is asked to return home to meet her dying father. The question is will Shwetambri return to Banaras, and will we ever know who has she identified as Soham's killer?

BLACKMAIL

Director: Anil Devgan

Inspector Abhay Rathod is a honest and diligent Police Inspector employed with Bombay Police. He was assigned the case of racketeer and criminal don, Shekhar Mohan. Abhay successfully entraps and arrests him, and has him sentenced to a long jail term. Years later, Abhay is now the Assistant Commissioner of Police; is married, and has a son named Chirag; and Shekhar Mohan has completed his jail term and is looking to seek vengeance against Abhay. He does so by kidnapping Chirag and taking him along with him. He object is not to seek any ransom money, but attempt to separate the child from his parents, as well as attempt to make a place in his heart. Shekhar finds out that Chirag loves racing and takes him on various race courses where the child is thrilled to watch fast sport cars, and soon starts a friendship with "Uncle" Shekhar. But with Abhay and the police closing in fast, will Shekhar and Chirag be able to maintain their friendship?

CHAK DE! INDIA

Director: Shimit Amin

Kabir Khan lives a middle-class lifestyle along with his widowed mom in Delhi, India, and is the Captain of the Indian men's hockey team. He fails to score at the last tournament resulting in Pakistan winning the World Cup amidst allegations that he was more inclined toward his opponents due to his religion. Kabir and his mom move away and virtually disappear for seven years. Thereafter Kabir surfaces to be a Coach for the women's hockey team, consisting of 16 players from all over India, some of who do not communicate well. Kabir's disciplinarian style ends up offending the players, lead by the militant Bindia Naik, who decide not to participate unless he resigns amidst allegations that he is having an affair with soon to-be married Vidya Sharma, who he appoints as the new Captain. Things change after a brawl with eve-teasers at the local McDonald's, the girls accept Kabir, however, the Chair of the Indian Women Hockey Association, Tripathi, decides to pull out of the World Cup but decides to give them a shot after Kabir challenges the men's team. The women lose by a goal but their performance compels the Association to revise their decision and dispatch them to Melbourne, Australia. In the very first match against six-time winning team of Australia, the Indian team lose 7-0 to, but manage to struggle back to the semi-finals after defeating Great Britain, Argentina, and Korea. On the eve of the final match Kabir will meet secretly with two rival players, Preety Sabharwal (who is engaged to be married to Cricket Team Captain, Abhimanyu Singh), and Komal Chautala, and during this meeting he will tell them that two of his hockey players will be playing for the Australians. Watch what impact this has on both Preety and Komal.

CHAMELI

Director: Sudhir Mishra

Lamington Road on Bombay's Western Railway is the nearest railway station that takes one to Kamathipura, notorious for it's red-light, in particular, and a crime-prone area in general. It is in this area, on a stormy rainy day, that wealthy Aman Kapoor's car breaks down. His efforts to call for help via his cell phone are in vain, and he takes shelter in a nearby building. This is where he comes in contact with a prostitute named Chameli - and this is where his nightmare involving pimps, eunuchs, prostitutes, and corrupt police officers - will begin - and will seem to have no ending whatsoever.

CHINGAARI

Director: Kalpana Lazmi

In the village of Rangpur, District of Badlapur, India, lives Narainda, who has been the Postmaster for the last over 35 years. He has patiently awaited the arrival of an assistant so that he can consider retiring. His assistant does arrive in the shape and form of Chandan Mishra. Narainda teaches him to deliver mail, take a rupee for reading mail out aloud; and avoid much contact with the prostitutes of Lal Batti. But the women of Lal Batti, Phulwa, Gulabo, Bijli, Basanti, Padmavati, and young Titli, the daughter of Basanti, are drawn to Chandan, and he becomes a frequent visitor there. The local High Priest Bhuvan Panda, who also visits Basanti late at night to satisfy his sexual lust, does not appreciate Chandan's frequent visits, especially after he finds out that Chandan is educated and very outspoken. Then a mysterious admirer of Basanti starts sending her love letters and even proposes marriage. When Bhuvan finds out, he forbids anyone from going to Lal Batti, as in his mind there are only three kind of women: 1. Devi (Goddesses), 2. Mother who provides a heir for the family; and 3. Prostitutes. He forbids anyone to marry any prostitute. With patrons being intimidated by Bhuvan's instructions, no one dares go near Lal Batti, causing considerable anxiety and financial worries for the women there. The entire village awaits in dread as the deadline approaches for Basanti's lover to materialize and marry her. The question remains, who is this mysterious admirer, and why does he want to marry a prostitute and go against the wishes of the all powerful and deadly Bhuvan Panda.

CHORI CHORI

Director: Milan Luthria

Khushi (Rani Mukerji) is a careless worker always conning her boss and making excuses to bunk her duty. She meets Ranbir Malhotra (Ajay Devgan) and comes to know that the home he plans to build for his love is now a dream unfulfilled. After being dispelled from her job, her devil brain works. She locates the bungalow and moves in, informing everyone that she is Ranbir's fiancée. There she meets Ranbir's family and Pooja (Sonali Bendre), Ranbir's love. When Ranbir returns, at first he is outraged at Khushi's intrusion in his life, but then decides to play along with Khushi to make Pooja jealous and fall in love with him. During all this fun and conning, Khushi and Ranbir end up really falling in love with each other. However, Khushi's close encounter with reality and Ranbir's old commitments hold them back for a long time before they finally listen to their hearts.

CLASSIC DANCE OF LOVE

Director: Babbar Subhash

An orphaned and homeless girl ends up in a dancing school run by Sitaradevi and is named Doli, and is taught all forms of dance. When she matures she meets with London-based Suraj J. Malhotra and both fall in love with each other. Suraj is mesmerized by Doli's beauty and cannot live without her. When his father finds out that his son is wooing a prostitute, he is enraged, and contacts influential Dr. Ramgopal Acharya, to end this relationship so that he can get his son to get married to Damini, the daughter of wealthy Rajvansh. Ramgopal sets about to end this relationship and succeeds, with Suraj returning to London, while Sitaradevi is arrested by the Police for killing a man named Chowdhury, leaving Doli homeless. She seeks shelter in Ramgopal's ashram, where she is allowed entry reluctantly with hopes that she will leave soon. Then the inevitable happens when Ramgopal himself starts getting attracted to Doli's beauty, so much so that he is even willing to give his celibacy, his theory about sex before marriage, as well as prevent anyone from even coming near her!!

DHAAI AKSHAR PREM KE

Director: Raj Kanwar

Yogvendra Grewal lives with his mom, Biji, in a joint family consisting of his daughter, Sahiba; his brothers Sharan, Pritam, and Ronak; Sharan's wife, Sweety; Pritam's wife, Monica; and their respective children. Sahiba is of marriageable age and the family, especially Biji, would like her to get married. But Sahiba is just not ready to get married and runs away from home. Lost and alone, she witnesses a murder being committed and flees straight into the arms of an army captain Karan Khanna, who escorts her back home. Everyone thinks that Karan is here to get married to Sahiba, and he is welcomed and treated as one of the family. Only Sahiba knows that Karan has a sweetheart in Nisha, who is waiting for his return to get married to him. The family are disappointed when they find out that Karan is meant for someone else, and quickly arrange for Sahiba's marriage with Vicky Singhal, the only son of Rai Bahadur Tejeshwar. Sahiba, who has given her heart to Karan, reluctantly agrees to this marriage, only to find out that the person she is marrying is none other than the person she had seen killing a woman. She tells this to her family, but nobody believes her and it looks like Sahiba's fate is sealed with that of a killer, who may well make her his next target.

DHOOM

Director: Sanjay Gadhvi

Kabir is a the head of gang of robbers and thieves, who use bikes as their getaway vehicles. The Police get concerned and ask Police Officer Jai to bring their crime spree to a stop. Jai, with the help of a motor mechanic named Ali. Things do not go as planned and Ali himself becomes a member of Kabir's gang, while Jai is asked to resign from his job, leaving the robbers to carry on their crime spree without any intervention from the Police.

DHOOM 2

Director: Sanjay Gadhvi

In the second installment of the Dhoom series, Jai and Ali are back as the buddy cops on their toughest job so far. "Mr.A" is an international thief who has planned to steal a priceless artifact in Mumbai and the police have got to nab him. But Mr.A manages to steal the artifact and elude the police. He finds his match in Sunehri and they form a partnership. They move on to Rio for their next job, with Jai and Ali hot on their trail. Mr.A whose actual name is Aryan, and Sunehri are drawn towards each other but little does Aryan know of Sunehri's little secret.

DIL TO PAGAL HAI

Director: Yash Chopra

Nisha is an actress in a play that is being directed by her sweetheart, Rahul. The only problem is that Rahul has no time for her or romance. When Nisha becomes sick, and has to go off for a few weeks, she is certain that everything will collapse after her departure, and is also sure that Rahul will miss her terribly and come right to her. This does not happen. Weeks later, after recovering she returns to the rehearsals and the theater, only to find that everything has changed. Rahul has replaced her with a new actress named Pooja, who he is very obviously smitten with, and none of the caste and crew really seemed to have missed her. She is quite depressed at this, but cheers up quite a bit when Ajay makes his entry. For Ajay is none other than Pooja's betrothed, and they will be marrying shortly, leaving the field clear for Nisha to have Rahul for herself.

DOSTANA

Director: Tarun Mansukhani

Kunal and Sameer, two straight guys who pretend to be a gay couple to secure an posh Miami apartment, but both of them fall for their gorgeous room-mate Neha, hilarity ensures as they strive to convince one and all they are gay! While secretly trying to win Neha's heart.

FANAA

Director: Kunal Kohli,

Choices--to choose between right or wrong is simple, but what defines one's life is the decision between the greater of two goods or the lesser of two evils. This is the advice that Zooni Ali Beg receives from her father, just as she is about to venture out into the world on her own for the very first time. Little does she know that these very words will shape her life. Zooni, a blind Kashmiri girl, meets Rehan Qadri, a local tour guide and an incorrigible flirt, who goes from city to city exploring their architecture--and also their women. Her friends warn her against this good-for-nothing roadside Romeo, but she chooses to ignore them. She is not one to be protected. It is now her time discover life, and love. Is this really the right choice? Rehan is fascinated by Zooni. He truly wants her to see life as it should be seen, in its many colors--and as he promises her, the time spent with him will be the most precious in all her life. Zooni sees Delhi, life and love like she never has before, because of Rehan. What Zooni doesn't know is that Rehan has another side of his life that he has kept from her--something that can not only change her life, but can also destroy it.

GARAM MASALA

Director: Priyadarshan

Shyam and Makarand work as photographers in a commercial advertising agency. Both of them like to fool around with women, even though Makarand is engaged to be married to a doctor named Anjali. In order to outsmart each other, they two get into a competition of shooting a photograph, and Sam wins it, goes on a trip to the United States of America. Upon his return, he finds that Makarand is living a very enviable lifestyle with three of the most beautiful girls, who also work as air-hostesses. Sam meets them all, and finds out that the trio are unaware of each other, falls in love with Pooja; and begins several moves to upset Makarand lifestyle, and possibly get promoted as a Supervisor.

GURU

Director: Mani Ratnam

A school-teacher in India sires a son named Gurukant, but is disappointed as the child fails to live up to his high expectations. When Gurukant grows up, he is unable to secure decent employment in India, so finds a way to go to Turkey, where he finds employment. When he returns back to India, he wants to start his own business, but is unable to do so, as he does not have enough money. So he does some research, gets to meet Sujata, the daughter of a wealthy man named Jignesh, and marries her. After the marriage, Gurukant finds out that Sujata has a dark past, but he ignores this - for his one motive is to be to rise in the eyes of his father - and get rich.

HELLO

Director: Atul Agnihotri

Hello... is a tale about the events that happen one night at a call center. Told through the views of the protagonist, Shyam, it is a story of almost lost love, thwarted ambitions, absence of family affection, pressures of a patriarchal set up, and the work environment of a globalized office. Shyam is losing his girl friend because his career is going nowhere as he trudges his way around in a call center. His girl friend, Priyanka, is also an agent like him at the call center who is about to be snatched by an NRI technogeek. There is also the aspiring model, Esha, who is hoping for the break that seems to be always already eluding her and the man about town, Vroom, who is into well, things. The housewife, Radhika, who is constantly at the receiving end of her mother-in-law and a beleaguered grandfather, Military Uncle, who has been barred from interacting with his grandchild make up the rest of the call agents who see their worlds crumbling around them as the decisions of right sizing are conveyed by Bakshi, the boss. It is a night when dreams will finally crumble. Or will it? For there is that call from God. Narrated as a tale within a tale as a beautiful woman meets the auteur narrator and promises him a story on the condition that he has to narrate it further, Hello, based on Chetan Bhagat's one night @ the call center, is the one remarkable story from Tales from a Thousand and One globalizing, urban, Indian Nights.

HULCHUL

Director: Priyadarshan

Angaar Chand and Lakshmidevi's families hate each other. No women are allowed in Angaarchand's house and family. When Angaarchand disrupts Lakshmidevi's grand-daughter's marriage, Anjali decides to take revenge by pretending to be in love with Jai, Angaarchand's son. But soon they really fall in love and all hell breaks lose. Jai's brother, Kishen, who had secretly married seven years earlier, and Anjali's uncle, Veer, help to bring them together.

HUM DIL DE CHUKE SANAM

Director: Sanjay Leela Bhansali

Indian-based traditional family of Pundit Darbar (Vikram Gokhale) gets a visit from Sameer Rafilini (Salman Khan), from Italy, who has come as a pupil to learn music and singing. Darbar and his family accept him. Sameer meets Nandini (Aishwarya Rai), Darbar's daughter, and both fall in love. But Darbar wants Nandini to wed Vanraj (Ajay Devgan), and has Sameer swear that he will leave India, and not marry Nandini, as his guru-dakshina (fee), to which Sameer agrees. Nandini is heart=broken, but does reluctantly marry Vanraj. When Vanraj finds out that Nandini is in love with Sameer, he takes her to Italy, so that both can be together again. Nandini must now come to terms with living with Sameer in Italy, or alienating her family and her new groom.

HUM KISI SE KUM NAHIN

Director: David Dhawan

Dreaded Bombay gangster, Munna Bhai, meets with attractive Komal Rastogi and falls head over heels in love with her. This meeting has strange effects on his behavior, and his men decide that he needs counseling. So he goes to see Dr. Rastogi, who is none other than Komal's elder brother, who will never agree to get his sister married to a gangster like Munna Bhai. So Dr. Rastogi hires a bodyguard, Raja,and they go abroad to Malaysia to arrange the marriage of Komal with the son of Dr. D.D., a childhood friend of Rastogi. The tables are turned against them when Munna Bhai decides to follow them there, making it clear that no one is going to prevent him from marrying Komal.

HUM TUM

Director: Kunal Kohli

Both Rhea and Karan meet on a flight from Mumbai to New York as both are going to study there. On the flight there they meet, talk however Rhea finds Karan's fresh attitude disengaging and when he kisses her they part on angry terms. Than they continue to meet over the years including in New York and when Rhea is getting married. Karan and Rhea's relationship develops as their meetings continue - will they end up together?

INSAN

Director: K. Subhash

Plain clothes police inspector Ajit Rathod has to bring to charge some of Pakistani big wing terrorists, however to this extent he finds that his mission is becoming easier but a subsequent arrest of there leader makes life difficult for Ajit. As now a listed criminal, capable of doing anything, Azhar Khan alias Munna is holding a train full of Indian people as hostage for the release of there leader. Now the inspector is under strain and must be able to caught hold of Munna's family and with there help bring those criminals to justice.

JAANAM SAMJHA KARO

Director: Andaleeb Sultanpuri

Talented singer and dancer, Chandni's life is dominated by three aunts, and a soft-spoken maternal grandmother. She meets with a womanizer named Rahul, and falls in love with him. Rahul treats her just like any of his other girlfriends, and decides to have an affair with her. Rahul unexpectedly meets with his dadaji, who wants him to get married to Chandni. In order to fool him, Rahul asks Chandni to pretend to be his wife, which she does. After Dadaji leaves, will Rahul and Chandni go their separate ways, and will Rahul return to the waiting arms of his many girlfriends?

JHOOM BARABAR JHOOM

Director: Shaad Ali

Of Pakistani origin, Alvira Khan lives a care-free lifestyle in Britain. One day while waiting for a train at Waterloo Station, she shares her table with an East Indian male, Rakesh Thakral. Both have a light discussion with Alvira confiding that she is in love with another East Indian male, Satvinder Singh, a lawyer by profession who rescued her and then represented her successfully against Madame Tussauds, both fell in love and are soon to be married. Rakesh confides that he is in love with Anaida Raza, a Muslim of Indian origin. They subsequently go on their respective ways but are fated to meet again, and this time Alvira introduces Rakesh to Satvinder, and she, in turn, is introduced to Anaida. Complications arise when Satvinder falls in love with Anaida, who is not who she claims to be, and circumstances will reveal that Rakesh and Alvira have been less than forthright with each other.

JOSH

Director: Mansoor Khan

Loosely based on the classic WEST SIDE STORY, JOSH tells the tale of two rival gangs, one led by Prakash (Sharad Kapoor), and the other by Max (Shah Rukh Khan). When Prakash's twin brother... Loosely based on the classic WEST SIDE STORY, JOSH tells the tale of two rival gangs, one led by Prakash (Sharad Kapoor), and the other by Max (Shah Rukh Khan). When Prakash's twin brother (Chandrachur Singh) returns to town, his newfound love for Max's sister, Shirley (Aishwarya Rai), threatens to upset the tenuous peace between the gangs.

KRRISH

Director: Rakesh Roshan

Singapore-based Dr. Siddhant Arya recruits a superhumanly powerful Indian-born man named Rohit Mehra, who was given special powers by a blue-skinned alien named Jadoo, to build a computer that can forecast the future, which results in an accident that kills Rohit. When this news reaches Rohit's mother, Sonia, in India, she passes this on to Rohit's wife, Nisha, who has just given birth to a son named Krishna. However, Nisha, unable to handle this devastating news, passes away, leaving Krishna to be brought up by Sonia. When Krishna is enrolled in school, she notices that he has the same intellectual and physical powers that his father possessed, so in order to shield him from any harm, she moves to a secluded and remote area in a mountainous region of the country, where he grows up. Years later, Krishna has matured, has acquired the same special powers that his father had, and is also able to communicate with animals. He meets with a camper named Priya and is attracted to her. When she returns home to Singapore, she phones him to visit her so that she can introduce him to her mother so that they can get married. A thrilled Krishna travels to Singapore, despite Sonia's pleas; meets with Priya; and is all set to meet her mother, get married, and return home. What Krishna does not know is that Priya has lured him there so that she can exploit his superhuman powers on her TV network, Star Plus--and not only maintain her job but also get a promotion. It looks like the naïve and overly trusting Krishna may now be propelled straight into the hands of Dr. Arya, who is still alive and on the verge of creating a supercomputer that can forecast the future--and is quite capable of doing anything in his power to achieve this nefarious goal and project himself as the one and only God of the universe.

LAAGA CHUNARI MEIN DAAG

Director: Pradeep Sarkar

Based in Varanasi, Shivshankar Sahay lives a poor lifestyle along with his wife, Savitri, and two daughters, Vibhavari and Subhavari. The family struggles and at times is even unable to pay the electricity charges. They attempt in vain to rent their heritage yet dilapidated home to a filmmaker. When Shivshankar's elder brother, Rajshankar, files a petition a court to take over the house, he has a stroke and is hospitalized. Vibhavari tells the family that she has managed to obtain a job in Mumbai and re-locates. She then regularly sends money and is not only able to improve their lifestyle but also has Subhavari obtain a Masters Degree. Subhavari completes her education and also re-locates to Mumbai, where she is reunited with her sister. Subhavari then meets with Vivaan and both fall in love with other. Vibhavari gets to meet Vivaan and approves of him, while Subhavari is introduced to Vivaan's grandmother. A marriage is then planned in Varanasi, and it is only at the 11th hour that Subhavari will find out that her sister will not only not be attending her marriage but will never be able to return to her home ever again.

LIFE IN A... METRO

Director: Anurag Basu

The lives of a group of people, who live in Mumbai are told in this tale, which revolves around Rahul - who occupies an apartment owned by his uncle, and lets rich and influential people use it for their personal sexual past-times. An ignored and angry young wife, Shikha falls into the arms of a young man named Akash, who wants to be an actor for Indian movies; then there is Shikha's sister, Shruti, who is having an affair with a man named Monty; and finally there is Shikha's teacher, Shivani, who is romancing Amol. Things get complicated when Rahul finds out that Neha, who is his girlfriend, is using this very apartment to meet with Ranjeet, who is Shikha's husband.

MARIGOLD

Director: Willard Carroll

The film follows the story of Marigold Lexton, an American actress who gets stranded in Mumbai and lands a minor role in a Bollywood musical. She meets Prem, the film's choreographer, and undergoes a personal transformation as she experiences Bollywood firsthand.

MEMSAHIB

Director: Kruti Majmudar

India 1851: Strong-willed schoolteacher Grace Roberts begins married life with philanthropist king Raja Jai Rathod. Fiercely devoted to their work and to each other, they embark on a journey to... India 1851: Strong-willed schoolteacher Grace Roberts begins married life with philanthropist king Raja Jai Rathod. Fiercely devoted to their work and to each other, they embark on a journey to unite their people and ideals. She teaches local girls at the town well while Jai is suspected of being overly sympathetic to the growing British presence in India, the very presence Grace mistrusts. But no amount of love can prevent culture, politics and destiny from tragically separating The Memsahib and her husband.... Until Asha Randall, a jaded divorcee, happens upon that same palace in 2005. Here, in its ghostly walls, lie the keys to the mysteries of the past and shocking lessons for Asha about the resiliency of love, destiny and her very own future.

MERE JEEVAN SAATHI

Director: Suneel Darshan

Vicky, Natasha, and Anjali used to study in the same college in India and knew each other. While Vicky only loved Anjali, he was unaware that Natasha loved him with all her heart. Natasha did manage to bag a date with Vicky, however, she could not keep the appointment as her dad was killed that very same day in an automobile accident. Years later, Vicky and Anjali are very much in love, and Vicky makes a living as a rock-star. Vicky's career gets a boost when he is invited to the U.S. to meet the owner of Angel Music, who are interested in sponsoring him in a major way. He travels to U.S. and it is here that he meets with the owner - none other than Natasha herself. Their meeting is passionately spent in bed for that one night. The next day, Natasha is quite sure that Vicky is in love with her. She even follows him back to India, only to find out that Vicky had had only a one night stand with her, and is still in love with Anjali. This knowledge does not deter Natasha at all, for she knows that when she sets her mind to get something, she ends up getting it - no matter what.

MOHABBATEIN

Director: Aditya Chopra

Aditya Chopra's Indian blockbuster has set records in both India and the United Kingdom, and is a heartwarming love story that will entertain and charm everyone. From the three love stories that blossom on screen to the tyrannical personality of the man who cannot live without control over all, this film is unlike any other.

MUJHSE SHAADI KAROGI

Director: David Dhawan

Sameer is a hot-headed youngsters with a knack of getting into brawls. When his girlfriend dumps him, he is heartbroken and relocates to Goa to work as a lifeguard. He falls for his next-door neighbour Rani, but Rani dislikes him because Sameer had slapped her father by mistake. On top of it, Sameer's new roommate Sunny is a lecherous playboy who has the hots for Rani. This results into a zany battle of wits between Sameer and Sunny over who will win Rani's heart .

NEHLLE PE DEHLLA

Director: Ajay Chandhok

After the passing away of her parents, wealthy Pooja Sahni lives with her paternal uncle, Balram, and both of them operate a five-star Hotel, with plans to open buy another one in Goa. Balram hires two waiters, Johnny and Jimmy, as Johnny is the brother of his deceased Accountant, Ram Prasad Gupta; while Jimmy was hired at the behest of a politician from Bihar. When Balram finds out that both Johnny and Jimmy are here because they had found out that he had embezzled a total of 30 Crores Rupees and want a share, he hires Dilher and his brothers, Hans, and Jazzy, to do away with them. Balram chooses to have them killed in scenic Mauritius, where Pooja's friend, Kim, also runs a hotel. When Dilher finds out about the 30 Crore embezzlement, he asks his brothers to get the money, kill Balram and ensure that Johnny and Jimmy get the blame. Things get way out of control when Hans and Jazzy find out that Balram is virtually indestructible and may well expose the trio for attempting to kill him. Watch how Johnny and Jimmy take advantage of this situation and do their bit to find and keep the 30 Crore amount for themselves.

PARINEETA

Director: Pradeep Sarkar

Circa 1962 in Calcutta, India, live three neighboring families in a upper middle-class area. Gurcharan lives in a palatial home (Haveli) with his wife, and two beautiful daughters, Lolita and Koyal. He is retired,unable to find suitable work and must live off of his savings, ends up mortgaging his house with his neighbor, Navinchandra Roy, and hopes to get his daughters married within his means; there is Charu Sharma, who lives with her brother and sister-in-law, who has a wealthy brother, Girish, who lives in Britain. And finally there are the Roys - Navinchandra, a hard-nosed businessman, who will never undertake anything unless there is a high level of profit for him, his son, Shekhar, who he hopes to groom after himself, and his quiet, devout wife. Navin realizes Gurcharan's plight and offers Lolita a job at his office in order to enable the family to survive. Shekhar and Lolita are attracted to each other, but Navin does not approve of this, as he wants Shekhar to get married to Gayetri Tatya, the daughter of his wealthy business associate. Then chaos descends on these families when Girish returns home, is attracted to Lolita and would like to marry her; Lolita finds out that Navin is bent on recovering his loan by evicting her family to a filthy go-down until they can find other means, and intends to build a five star hotel. Lolita must now act quickly to get her father to return the loan amount to Navin. But how will Gurcharan get 1.50 lakhs in so short a time? It does look like his family is destined to be evicted and face a life of destitution.

POKIRI

Director: Puri Jagannath

The story is about an undercover police officer who acts as a ruthless mafia worker called Pandu who kills people for money.He falls in love with a beautiful aerobic teacher Shruti. He joins the mafia gang of Ali and wages a war aginst him. How he wins his war and his true identity forms the rest of the movie.

RAB NE BANA DI JODI

Director: Aditya Chopra

Surinder is married to Taani but there is a huge age gap between them. There is no real romance in the marriage. Then, a dance reality show called "Rab Ne Bana Di Jodi" airs and Taani wants to participate but can't because her husband is not 'hip and happening', she has a fear of losing and she also fears that her friends will laugh at her. Surinder overhears this problem and decides to go in for a makeover. He watches some movies and learns to dance in order to woo his young wife. Throughout the show Taani keeps falling in love to with this 'new and improved' Surinder without once realizing that he's her husband.

RANG DE BASANTI

Director: Rakesh Omprakash Mehra

DJ or Daljeet, Sukhi, Karan, Aslam and Sonia are 5 friends who having graduated from Delhi University, hesitate to get out into the real world, and still roam the campus. Each of them is feisty and loyal. Into this group comes Sue straight from the UK, all determined to make her film on Indian freedom fighters, despite the shortage of funds. Introduced to the others by Sonia, she develops a strong bond with the rest, and especially with DJ. She persuades them to act in the film, and even woos Hindutva-vadi student party-worker Pandey to take the role of Ramprakash Bismil. Gradually the friends ponder over their roles and the lives of the selfless freedom-fighters, and in the face of a tragedy, realize that they too, like Bhagat Singh and Azad, must take action, to ensure that their now corrupt and poverty-laden country, awakens and the guilty do not go unpunished. How they do it, makes for an engrossing second-half.

SAINIKUDU

Director: Gunasekhar

Siddharth and his friends rescue a village in Warangal from severe floods. Sidhartha is convinced that Govt will give some relief package to the flood effected. Some time later he realizes that Pappu Yadav hogged on the relief fund before it reached the effected. Pappu Yadav is now contesting in elections and Sidhu goes against him with his friend. The fight between the two starts on from then on. After a few twists, Sidhartha kidnaps the fiancee of Pappu Yadav, Varalaxmi. Siddharth is now hunted by both police and villains.

SALAAM NAMASTE

Director: Siddharth Anand

The new millennium has begun and one must accept the reality that East Indians have immigrated everywhere on Earth. One such place where a number of Indians have made their new homes is Australia's Melbourne. A doctor, who does have problems translating some words into Hindi; Jignesh Pandya, who has come from Surat, India, where his parents operate and run "Archana Sarees" and has become a doctor; Ranjan Mathur who has recently immigrated, is now on the look-out for a wife, and does find one, after many hilarious misadventures, including one with a gorgeous hooker, Lisa; Then there is Ambar Malhotra or Ambi, who lived in Bangalore with her parents, quarreled with them because she did not want to marry someone of their choice, ended up coming to Australia on a student exchange program, studies medicine, but lands a job as a radio announcer with 101.5 FM "Salaam Namaste"; and finally there is Nikhil Arora alias Nicki, who came here to become an Architect, did get his qualifications, but ended up as Head Chef with "Nick of Time" restaurant. Watch what happens when two completely different people, from different backgrounds, habits and culture, meet and decide to live together to see if they can maintain a long-term relationship.

SAPNAY

Director: Rajiv Menon

This is the story of Priya (Kajol) and her life. She is friendly, outspoken, sensitive, yet percocious and apt to get into trouble, brought up by her dad, Amal Raj (Girish Karnad). In her senior school days, she has an admirer in the name of Thomas (Arvind Swamy). She starts to like Thomas as well, the only problem is that her dad does not like Thomas' dad. How will Priya be able to convince her dad to change his mind? Why does Amal Raj dislike Thomas' dad?

SARKAR

Director: Ram Gopal Varma

Meet Subhash Nagre - a wealthy and influential resident of Bombay. He lives in a palatial house with his wife, Pushpa; sons Vishnu and his wife Amrita and their son; a second son, named Shankar, in the United States. Subhash and his family are thrilled when Shankar returns home, in the company of a gorgeous long-legged young woman named Pooja, who he plans to marry soon. While Subhash adores both his sons, he shows his open disappointment for Vishnu, whose language, childish actions, and his affair with a Bollywood actress named Sapna are just few of his wrong actions. When Vishnu finds out that a Bollywood actor is attempting to start an affair with Sapna, he angrily guns him down in front of several witnesses. Subhash asks Vishnu to leave the house, and thereafter Vishnu is arrested and charged with murder. Then all hell breaks lose in the Nagre household when a politician named Motilal Khurana is killed, and the killer names Subhash as the person who hired him to do this killing. Subhash is arrested, and held in prison - there is no hope for him in the courts as he has been already been found guilty - not for this killing - but for acting as a power unto himself - a mafia-like Godfather - who metes out justice - when justice fails. Watch how circumstances force Subhash to come to terms that he no longer is influential and no one will come forward to assist him; Shankar is abducted and disappears, and the one who has hired to kill him is none other than his son - Vishnu.

	SHAH RUKH KHAN - THE LEGEND
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SWADES

Director: Ashutosh Gowariker

Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns to on a quest to find his childhood nanny. The film uses the contrast between the highly developed world of NASA, which has been at the forefront of advances in space research, and this world back home in India, which is at the crossroads of development. Mohan's simple quest becomes the journey that every one of us goes through in search of that metaphysical and elusive place called "home".

TA RA RUM PUM

Director: Siddharth Anand

A poor New York resident, who is of Indian origin, dreams of becoming a fast car race driver. He endeavors, and his efforts are rewarded when he selected by a little-known group called 'RACING SADDLES'. He joins them and soon becomes their ace race driver. This man, whose name is Rajveer, then meets with a rich American woman, also of Indian origin, whose name is Radhika. Both fall in love with each other. They cannot get married, because Radhika's family hates Rajveer mainly because he is very poor. But Radhika is very stubborn, so she marries him. She loses all her rights to her family's wealth. They get married and become parents of two children. They also become very rich. Then Rajveer has an accident which changes their lives forever. They get into debt and stand to lose everything. Will Radhika be forced to return back to her family?

TAARE ZAMEEN PAR

Director: Aamir Khan

An art teacher, Ram Shankar Nikumbh teaches at a local boarding school and thinks that every child is special and must have his chance of enjoying his/her school days, so he breaks all the rules of 'how things are done' in the school to let his motives became successful, all the children respond to him with joy, all except a small boy named Ishaan Awasthi, of eight years old who seem to be in a different world all the time. Nikumbh soon finds out that Ishaan is unhappy about something. He attempts to help him. The questions remain will he be successful or will the errant prove dangerous for him.

TASHAN

Director: Vijay Krishna Acharya

What happens when you throw two guys who hate each other together...

A cool call center executive Jimmy Cliff (Saif Ali Khan), a desi wannabe gangster Bachchan Pande (Akshay Kumar) add for good measure a beautiful girl Pooja (Kareena Kapoor) who can�t be trusted... on a journey across spectacular India... a journey which will alter the course of their lives in more ways than one... a journey where even enemies need to trust each other if they want to be alive...

Trouble is, in this world no one can be trusted ever!

And to top it all there is the evil eye of Bhaiyyaji (Anil Kapoor)... a maverick gangster who enjoys killing people as much as he enjoys speaking English...

What you get is... Tashan

THODA PYAAR THODA MAGIC

Director: Kunal Kohli

On the day he receives an award, arrogant, wealthy, and self-centered, Ranbeer Talwar, has an accident with his BMW. This results in the death of the parents of four young children. Ranbeer is arrested, and a year later is sentenced to look after all the four children until they reach the age of 18, or face 20 years behind bars without any parole. Ranbeer agrees to do so, not realizing that the children have a plan of their own - to avenge the death of their parents, ensure that he breaches his undertaking and ends up in jail.

UMRAO JAAN

Director: J.P. Dutta

Ameeran lives a poor-lifestyle with her mom, dad, and brother, Jamal, in Faizabad, British India. When her dad testifies against the local corrupt cop, Dilawar Khan, Khan swears to avenge this humiliation, and several years later, abducts Ameeran, holds her for ransom. When no money is forthcoming, he sells her. Ameeran ends up in a brothel run by Lucknow's Madame Khanum Jaan, where she is taught dance and poetry, and is subsequently re-named Umrao Jaan. Years later, Umrao has matured, is a well-known Courtesan with many patrons, chief amongst them are Nawab Sujat Ali Khan and his son, Sultan. Umrao and Sultan fall in love with each other, much to the chagrin of Sujat, who instructs Sultan either to give up Umrao or to lose his inheritance, and Sultan chooses Umrao. He gives up his father's palatial house and goes to live in the brothel, but re-locates to live with his uncle in Gadi after being taunted by Khanum Jaan. Umrao has a new admirer, Nawab Faiz Ali, who proposes to take her with him with Khanum's blessings, to which she agrees after she finds out that their destination is via Gadi. On the way there, she finds out that Faiz is a bandit, who is eventually captured and held by guards, while she is released at Sultan's behest. Umrao faces more heartbreak when Sultan refuses to have to do anything with her as he suspects her fidelity, forcing her to return to Lucknow. Then she gets an offer to sing at the marriage ceremony in Faizabad. With her hopes and emotions running high, she eagerly accepts this offer - with a hope of being able live as Ameeran again. Watch what happens when she reaches Faizabad and comes face to face with her family.

VIVAH

Director: Sooraj R. Barjatya

After the passing away of his wife, wealthy Delhi-based businessman, Harishchandra, took it upon himself to bring up two sons, Sunil and Prem. When they grew up he got Sunil married to Bhavna, and let Prem complete his education, even let him study abroad. Soon Sunil and Bhavna gave birth to a son, Rahul. When Bhagat told him that he had found a suitable match for Prem in Poonam, the niece of Krishnakant, a fruit merchant from Madhupur, Uttar Pradesh, the family traveled there, met with Krishnakant, his wife, Rama, and daughter, Rajni, and instantly approved of Poonam. Prem and Poonam also approved of each other, the Astrologer was consulted and a marriage was scheduled to take place in six months time. Shortly thereafter the engagement took place. The two families met again in Som Sarovar, Nainital, to let everyone get acquainted, and when Prem got his first contract from Japan, Krishnakant took his family to Delhi to celebrate. With the deadline for the marriage drawing close, both families start their respective preparations - not knowing that fate may have other plans in store for this young couple.

WATER

Director: Deepa Mehta

A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all?

YAKEEN

Director: Girish Bhamija

Wealthy Architect, Nikhil Oberoi and his wife, Simar, are driving in the mountainous Simla border region when he loses control of his car, which hurtles through a barrier, falling down a deep snow-covered ravine. While Simar is able to walk away with a few injuries, Nikhil is not only disfigured, but also loses his memory. Simar slowly helps him get back to health, and gets a plastic surgeon to operate on him, riding the scars of the accident. Soon, Nikhil is discharged from hospital, returns home, recuperates and is well enough to go to work along with his partner Siddharth Thakur. One day while driving, Nikhil comes across some photographs showing Simar and a male in very compromising positions. Intrigued and angered, he hires a private detective, Chamanlal, only to find out that Simar is indeed having an affair with a singer named Kabir. Nikhil finds out that Simar continues to meet Kabir on the sly, and one day follows her. She does meet with Kabir, but an argument ensues between them, and Kabir leaves her. Nikhil follows him, apprehends him at gun-point, and it is then he finds out that Kabir is none other than Simar disguised as a male. Nikhil must now find out why his wife chose to pretend to have an affair with a seemingly imaginative lover, and the identity of the male in the photographs.

YUVA

Director: Mani Ratnam

3 young men. From 3 strata of society. With 3 entirely different points of view towards life... ...Their paths cross over the Hoogly Bridge on a Thursday morning. Their lives change... 3 young men. From 3 strata of society. With 3 entirely different points of view towards life... ...Their paths cross over the Hoogly Bridge on a Thursday morning. Their lives change irreversibly.

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